Project details

BACKGROUND

The history of Islam in Japan dates back to a very short Period. Many isolated records of contacts are said to be known, which occurred before the opening of Japan in 1853. The Project revolves around the idea of bringing about an Islamic Cultural Center. This would serve as a beacon for trade, leisure, knowledge and spirituality, spreading the religion and culture of Islam to locals as well as tourists alike with its ambience and architectural elements which respond to the surrounding environment. The utilization of space is paramount, where the vicinity is densely populated with a myriad of functions within the context of the building. The ambience and appeal of its exterior and interior would be of utmost importance to portray the identity of Islam. The approach to the facilities provided would blend in with the surrounding while the simplicity of the form along with the minimal, elegant and textured materials would highlight the building to create an icon, which emanates a strong magnetic attraction to those who pass by.

CONCEPT “TOWARDS THE LIGHT”

Conceptualized from the Quranic verse Ayatun Nur (Chapter 24 Verse 35), the design invites individuals to an experiential journey “Towards the Light”. The bazaar culture in the land where Islam originated is not forgotten and is carried into the building, to welcome the people from the street outside, to within. The hustle and bustle of the outside environment begins to fade away gradually and it leads to a peaceful, serene environment, as one progresses higher and higher where one’s taste receptors are satisfied and the thirst for knowledge and spirituality is quenched. The epitome of the spatial feel is culminated in the seventh floor and enhances one’s spiritual enthusiasm by the creation of an atmosphere, of a hanging garden with the play of light and shadow.

LOCATION/ Okachimachi, Tokyo, Japan

SCOPE/ Architecture & Interior Design

Interior Designers: Shaam Nizamuddin

Draughtsman: Lakshan

3D Visualizer: Osanda Umesh